Articulating eight decades of American style through the emotive language of clothing ― from celebrated designers that established the modern legacy of sportswear to emerging creatives shaping the future of fashion in the United States

“The design of the exhibition and the catalog is straightforward and compartmentalized, allowing the clothes to speak for themselves and contain their own narratives.” ― Laird Borrelli-Persson, Vogue.com

This new presentation of American fashion features a revised vocabulary that emphasizes its expressive qualities. Stunning new photography showcases over 100 garments from the 1940s to the present that offer a timely new perspective on the diverse and multifaceted nature of American fashion. The catalogue features works that display qualities such as belonging, comfort, desire, exuberance, fellowship, joy, nostalgia, optimism, reverence, spontaneity, strength, and sweetness by designers, from the pioneers who established the nation’s style to the up-and-coming creatives shaping its future.

In America: A Lexicon of Fashion includes designs by Gilbert Adrian, Geoffrey Beene, Thom Browne, Bonnie Cashin, Willy Chavarria, Telfar Clemens, Dauphinette (Olivia Cheng), Oscar de la Renta (Fernando Garcia and Laura Kim), Denim Tears (Tremaine Emory), Perry Ellis, Tom Ford, Rudi Gernreich, Halston, Elizabeth Hawes, Carolina Herrera, Conner Ives, Charles James, Donna Karan, KidSuper (Colm Dillane), Calvin Klein, Michael Kors, Ralph Lauren, LRS (Raul Solís), Vera Maxwell, Claire McCardell, Norman Norell, Heron Preston, Pyer Moss (Kerby Jean-Raymond), Christopher John Rogers, Collina Strada (Hillary Taymour), Diane von Furstenberg, Vera Wang, and many more.

About the Authors:

Andrew Bolton is the Wendy Yu Curator in Charge, and Amanda Garfinkel is assistant curator, both in The Costume Institute at The Metropolitan Museum of Art, New York.

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Presenting outstanding costumes and insightful texts about one of the greatest private collections of 20th-century fashion

This handsome volume explores the modern discipline of fashion collecting, presenting remarkable works from one of the greatest private collection of 20th-century costume. This group of clothing and accessories, assembled over several decades by Sandy Schreier, includes many rare and historically significant pieces that define key moments in fashion. Her collection features not only iconic garments by established designers but also looks by pioneering couturiers rarely represented in museum collections. Outstanding works, by designers that include Gilbert Adrian, Cristóbal Balenciaga, Boué Soeurs, Gabrielle  Chanel, Christian Dior, Mariano Fortuny, Karl Lagerfeld, Paul Poiret, and Valentina, are illustrated with new photography by fashion photographer Nicholas Cope.

An informative introduction traces the progress of her collecting from its roots in Detroit to the present day. The book also includes descriptions of over 80 works, including garments, accessories, and rare designer drawings, in addition to a lively interview with Schreier by Andrew Bolton that reveals her collecting philosophy.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Exhibition Schedule:

The Metropolitan Museum of Art, New York

About the Authors:

Andrew Bolton is Wendy Yu Curator in Charge, Jessica Regan is associate curator, and Mellissa Huber is assistant curator, all at The Costume Institute of The Metropolitan Museum of Art.

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This first complete investigation into Karl Lagerfeld’s (1933–2019) artistry explores his extraordinary 65-year career, from the designs for Chloé and Fendi in the 1960s and 1970s to his celebrated leadership in the 1980s and beyond at Chanel and with his own label. Inspired by the “line of beauty” theorized by eighteenth-century English painter William Hogarth, this dazzling publication pursues the straight and serpentine “lines” and their intersections in Lagerfeld’s work as a means of understanding his unique creative process.

The book’s elegant parchment and cloth cover, emulating an artist’s portfolio, opens onto a pageant of stunning new photography by Julia Hetta of Lagerfeld’s fashion alongside the designer’s original sketches. The juxtaposition of drawings with finished pieces offers a window into Lagerfeld’s creative brilliance. Texts include personal reflections from Lagerfeld’s premières d’ateliers — the seamstresses behind his extraordinary creations — as well as Anna Wintour, Patrick Hourcade, Amanda Harlech, and Tadao Ando. Not only a lavish objet but also an important resource on Lagerfeld, the book concludes with an illustrated timeline of the designer’s long and illustrious career.

About the Author:

Andrew Bolton is the Curator in Charge of the Costume Institute at The Metropolitan Museum of Art, New York.

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Видео о книге Karl Lagerfeld: A Line of Beauty

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Видео о выставке Karl Lagerfeld: A Line of Beauty — Exhibition Tour with Andrew Bolton

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“Karl Lagerfeld: A Line of Beauty invites the public into Karl’s world and reveals the dualities within his work.”—FENDI

“This catalogue is a guide to the man and his work, a guide that Karl—even Karl—would have loved.”—Anna Wintour

“The intersection of a serpentine line with a straight line . . . cross, overlap, and crush against each other, creating tension and expansion . . . offering a glimpse into the introspective world of Karl Lagerfeld.”—Tadao Ando

“[Karl Lagerfeld: A Line of Beauty] sheds light on the work of a designer of genius who marked the history of fashion . . . forever.”—CHANEL

Published by The Metropolitan Museum of Art

A revelatory look at the influential and enigmatic designer behind Comme des Garçons

The great pantheon of fashion designers produces only a handful of creators who are masters of their métier. Rei Kawakubo of Comme des Garçons is one of them. Widely recognized among her contemporaries as the most important and influential designer of the past forty years, she has, since her Paris debut in 1981, defined and transformed the aesthetics of our time. This lavishly illustrated publication examines Kawakubo’s fascination with interstitiality, or the space between boundaries. Existing within and between dualities — whether self/other, object/subject, art/fashion — Kawakubo’s work challenges the rigid divisions that have come to define received notions of identity and fashionability, inviting us to rethink fashion as a site of constant creation, re-creation, and, ultimately, hybridity. Featuring brilliant new photography, and thought-provoking texts by Andrew Bolton, this book expresses the conceptual and challenging aesthetic of this visionary designer. An insightful interview and illustrated chronology of Kawakubo’s career provide additional context.

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Photography by Nicholas Alan Cope, Inez & Vinoodh, Katerina Jebb, Kazumi Kurigami, Ari Marcopoulos, Craig McDean, Brigitte Niedermair, Paolo Roversi, and Collier Schorr

This catalogue accompanies The Metropolitan Museum of Art Costume Institute exhibition.

''What I've only ever been interested in are clothes that one has never seen before, that are completely new, and how in what way they can be expressed. Is that called fashion? I don't know the answer.'' —Rei Kawakubo

Rei Kawakubo of Comme des Garçons is widely recognized as among the most important and influential designers of the past 40 years. Since her Paris debut in 1981, she has blurred the divide between art and fashion and transformed customary notions of beauty, identity, and the body.

This lavishly illustrated publication weaves an illuminating narrative around Kawakubo's experiments in oppositions and the spaces between boundaries. Brilliant new photographs of more than 120 examples of Kawakubo's womenswear for Comme des Garçons accompanied by Kawakubo's commentary on her designs and process, reveal her conceptual and challenging aesthetic as never before. A chronology of Kawakubo’s career provides additional context, and an insightful conversation with the author offers a fascinating glimpse into the mind of this fashion visionary.

Also includes a bonus foldout poster featuring 2 Dimensions, autumn/winter 2012–13 and Invisible Clothes, spring/summer 2017. Photograph © Paolo Roversi, 2017.

About the Author:

Andrew Bolton is the Curator in Charge of the Costume Institute at The Metropolitan Museum of Art, New York.

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This vibrant publication brings to life four centuries of extraordinary garments and accessories inspired by the natural world

Sleeping Beauties: Reawakening Fashion explores clothing’s complex relationship with the body through the senses, offering new ways for understanding and experiencing a garment’s inherent artistry. Engaging texts by scholars, scientists, and conservators reveal the history behind over 200 works of fashion while also addressing their fragility and ephemerality.

Exceptional new photography by Nick Knight of creations by international couturiers and design houses ― including Cristòbal Balenciaga, Thom Browne, Collina Strada, Christian Dior, Gucci, Charles James, LOEWE, Madame Grès, Thebe Magugu, Maison Margiela, Alexander McQueen, Issey Miyake, Paul Poiret, Yves Saint Laurent, Elsa Schiaparelli, Bea Szenfeld, Philip Treacy, Iris van Herpen, Louis Vuitton, and Charles Frederick Worth ― further deepens our appreciation for each object’s sensorial integrity.

Published by The Metropolitan Museum of Art / Distributed by Yale University Press

About the Author:

Andrew Bolton, OBE, has curated some of The Museum's most visited exhibitions, including Alexander McQueen: Savage Beauty (2011), China: Through the Looking Glass (2015), Manus x Machina: Fashion in an Age of Technology (2016), Heavenly Bodies: Fashion and the Catholic Imagination (2018), and Camp: Notes on Fashion (2019). He has written more than twenty books, lectures widely, and contributes to many publications. Prior to joining The Met in 2002, he worked at the Victoria and Albert Museum in London for nine years. Born in Great Britain, Andrew earned a BA and an MA in non-Western art from the University of East Anglia. He has received several awards, including the 2015 Vilcek Prize in Fashion, the 2016 Fashion Group International Oracle Award, the 2022 CFDA Founder’s Award, and the 2023 Fashion Group International Superstar Award.

Marking the 20th anniversary of the company’s founding, this comprehensive monograph is the first book on Thom Browne.  

With a celebrity clientele including Cardi B, Michelle Obama, LeBron James, and Julia Roberts, among others, Thom Browne is widely recognized for modernizing today’s professional uniform: the suit. As the company’s 20th anniversary nears, Thom Browne. celebrates the legacy of the house. Specially commissioned photography by Johnny Dufort features more than 200 looks from past seasons. An introduction by Andrew Bolton, Wendy Yu curator in charge of The Metropolitan Museum of Art’s Costume Institute and creative director of this title, sets the work in context. The book concludes with a tableau of show installations that further illustrate the house’s design philosophy and evolution. Published as a hardback enclosed in a clamshell box, the book includes 4-, 6-, and 8-pages gatefolds and more than 40 translucent vellum pages featuring the brand’s signature four stripes. It also includes a Thom Browne grosgrain ribbon. 

About the Authors:

Thom Browne is an American fashion designer and the founder/creative director of Thom Browne, a luxury fashion house based in New York. Initially celebrated for his distinctive approach to men’s tailoring in 2003, Browne has since expanded the collections to include womenswear, childrenswear and accessories. He has also become known for his highly conceptual runway presentations which have gained global attention for their thought-provoking themes and dramatic settings. in 2023 he became chairman of the CFDA.

Andrew Bolton is the Wendy Yu curator in charge at The Metropolitan Museum of Art’s Costume Institute in New York and has curated some of the Museum’s most visited exhibitions, including Alexander McQueen: Savage Beauty (2011) and Heavenly Bodies: Fashion and the Catholic Imagination (2018). He has written more than twenty books, lectures widely, and contributes to many publications. Prior to joining The Met in 2002, he worked at the Victoria and Albert Museum in London for nine years.

This is a first-ever examination of many long-term professional partnerships that have shaped the fashion world.

A beautifully designed volume, Fashion Together showcases the vision and synergism of these talented teams to both fashion connoisseurs and anyone interested in creative collaboration.

An exclusive look at the dynamic collaborations of fashion's most celebrated partnerships.

Fashion is often seen as an industry of eccentric personalities and unique, exceptional talents but it's the collaborators, rather than the individuals, who underpin the industry and inspire this book. This stylish volume, compiled by Lou Stoppard, editor-at-large of London's SHOWstudio, delves into the behind-the-scenes worlds of the fashion industry's most intriguing partnerships to explore what, exactly, makes these pairs such magical duos. Featuring eighteen illuminating conversations led by Stoppard, Fashion Together: Fashion's Most Extraordinary Duos on the Art of Collaboration reveals the secrets behind leading fashion luminaries such as Vivienne Westwood and Andreas Kronthaler, Marc Jacobs and Katie Grand, Inez van Lamsweerde and Vinoodh Matadin, Rick Owens and Michèle Lamy, and Stephen Jones and Thom Browne. Never-before-seen photographs and sketches, handwritten notes, and fashion editorials showcase each duo's most memorable work. Profound, funny, and provocative, the conversations range from childhood inspirations to nitty-gritty industry details to advice on how to succeed in the fashion business today. 

Names featured are: Marc Jacobs and Katie Grand , Rick Owens and Michèle Lamy, Nick Knight and Daphne Guinness, Riccardo Tisci and Mariacarla Boscono, Jonathan Anderson and Benjamin Bruno, Shaun Leane and Alexander McQueen. Kim Jones and Alister Mackie, Viktor Horsting and Rolf Snoeren, Jack McCollough and Lazaro Hernandez, Inez van Lamsweerde and Vinoodh Matadin, Carol Lim and Humberto Leon, Gareth Pugh and Ruth Hogben, Philip Treacy on Isabella Blow, Mert Alas and Marcus Piggott, Thom Browne and Stephen Jones, Katie Hillier and Luella Bartley, Iris Van Herpen and Philip Beesley and Vivienne Westwood and Andreas Kronthaler.

About the Author:

Lou Stoppard is a London-based fashion writer and broadcaster. SHOWstudio's fashion editor, Stoppard hosts SHOWstudio's acclaimed live panel discussions and conducts many of the site's popular live interviews. She has written for titles including The Times, GQ Style, ELLE, ELLE Collections, Bon, Stylist and Dazed & Confused. Stoppard also hosts and chairs Editd.com's "Editions" events series, which focuses on bringing together the most interesting people in the fashion and tech worlds. She has also collaborated with the V&A as part of their V&A Connects and Talking Fashion talk series. Stoppard has guest lectured at London College of Fashion and Central Saint Martins. Andrew Bolton is curator of the Costume Institute at the Metropolitan Museum of Art. Bolton is recognized for having spearheaded some of the most groundbreaking and innovative fashion exhibitions in the museum's history. Most noted for the phenomenally successful Alexander McQueen: Savage Beauty retrospective in 2011, Bolton has also overseen Dangerous Liaisons and AngloMania: Tradition and Transgression in British Fashion.

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Fashion is often seen as an industry of eccentric personalities and unique, exceptional talents but it's the collaborators, rather than the individuals, who underpin the industry and inspire this book. This stylish volume, compiled by Lou Stoppard, editor-at-large of London's SHOWstudio, delves into the behind-the-scenes worlds of the fashion industry's most intriguing partnerships to explore what, exactly, makes these pairs such magical duos. Featuring eighteen illuminating conversations led by Stoppard, Fashion Together: Fashion's Most Extraordinary Duos on the Art of Collaboration reveals the secrets behind leading fashion luminaries such as Vivienne Westwood and Andreas Kronthaler, Marc Jacobs and Katie Grand, Inez van Lamsweerde and Vinoodh Matadin, Rick Owens and Michèle Lamy, and Stephen Jones and Thom Browne. Never-before-seen photographs and sketches, handwritten notes, and fashion editorials showcase each duo's most memorable work. Profound, funny, and provocative, the conversations range from childhood inspirations to nitty-gritty industry details to advice on how to succeed in the fashion business today. 

Names featured are: Marc Jacobs and Katie Grand , Rick Owens and Michèle Lamy, Nick Knight and Daphne Guinness, Riccardo Tisci and Mariacarla Boscono, Jonathan Anderson and Benjamin Bruno, Shaun Leane and Alexander McQueen. Kim Jones and Alister Mackie, Viktor Horsting and Rolf Snoeren, Jack McCollough and Lazaro Hernandez, Inez van Lamsweerde and Vinoodh Matadin, Carol Lim and Humberto Leon, Gareth Pugh and Ruth Hogben, Philip Treacy on Isabella Blow, Mert Alas and Marcus Piggott, Thom Browne and Stephen Jones, Katie Hillier and Luella Bartley, Iris Van Herpen and Philip Beesley and Vivienne Westwood and Andreas Kronthaler.

About the Author:

Lou Stoppard is London-based SHOWstudio’s editor-at-large and a freelance writer and curator. She has written for the Financial Times, Elle, and Vogue and is a contributing editor at British GQ. Andrew Bolton is curator of the Costume Institute at the Metropolitan Museum of Art.

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Пролистать книгу Fashion Together: Fashion's Most Extraordinary Duos on the Art of Collaboration на сайте издательства.

Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment.

Alexander McQueen: Savage Beauty examines the full breadth of the designer’s career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovation to achieve his distinctive aesthetic. It also focuses on the highly sophisticated narrative structures underpinning his collections and extravagant runway presentations, with their echoes of avant-garde installation and performance art.

Published to coincide with an exhibition at The Metropolitan Museum of Art organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography by renowned photographer Sølve Sundsbø; and a lenticular cover by Gary James McQueen.

About the Author

Andrew Bolton is Curator of The Costume Institute, The Metropolitan Museum of Art. Tim Blanks is contributing editor of Style.com and Susannah Frankel is fashion editor of The Independent newspaper.

Vogue about the Alexander McQueen: Savage Beauty Exhibition

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What is "camp"? Drawing from Susan Sontag’s seminal essay, this striking volume explores its meaning and its expression in fashion from its origins to today

Although an elusive concept, “camp” can be found in most forms of artistic expression, revealing itself through an aesthetic of deliberate stylization. Fashion is one of the most overt and enduring conduits of the camp aesthetic. As a site for the playful dynamics between high art and popular culture, fashion both embraces and expresses such camp modes of enactment as irony, humor, parody, pastiche, artifice, theatricality, and exaggeration.

Drawing from Susan Sontag’s seminal essay “Notes on Camp,” the book explores how fashion designers have used their métier as a vehicle to engage with the camp aesthetic in compelling, humorous, and sometimes incongruous ways. As a sartorial manifestation of the camp sensibility, this thought-provoking publication contributes new theoretical and conceptual insights into the camp canon through texts and images. Stunning new photography by Johnny Dufort highlights works by such fashion designers as Virgil Abloh, Thom Browne, Jean-Charles de Castelbajac, John Galliano, Jean Paul Gaultier, Marc Jacobs, Karl Lagerfeld, Alessandro Michele, Franco Moschino, Miuccia Prada, Richard Quinn, Yves Saint Laurent, Elsa Schiaparelli, Jeremy Scott, Anna Sui, Gianni Versace, and Vivienne Westwood.

About the Author:

Andrew Bolton is the Curator in Charge of the Costume Institute at The Metropolitan Museum of Art, New York.

Traces fashions from 1870 to the present along a conceptual, disruptive, and nontraditional timeline of fashion history

By Andrew Bolton with Jan Glier Reeder, Jessica Regan, and Amanda Garfinkel; introduction by Theodore Martin; short story by Michael Cunningham; photographs by Nicholas Alan Cope

About Time: Fashion and Duration traces the evolution of fashion, from 1870 to the present, through a linear timeline of iconic garments, each paired with an alternate design that jumps forward or backward in time. These unexpected pairings, which relate to one another through shape, motif, material, pattern, technique, or decoration, create a disruptive fashion chronology that conflates notions of past, present, and future.

Virginia Woolf serves as "ghost narrator," and excerpts from her novels reflect on the passage of time with each subsequent pairing. A new short story by Michael Cunningham, winner of the Pulitzer Prize for Fiction for The Hours, recounts a day in the life of a woman over a time span of 150 years through her changing fashions. Scholar Theodore Martin analyzes theoretical responses to the nature of time, underscoring that time is not simply a sequence of historical events. Fashion photographer Nicholas Alan Cope captures 120 fashions with sublime black-and-white photography. This stunning book reveals fashion's paradoxical connection to linear notions of time.

About the Author:

Andrew Bolton is the Wendy Yu Curator in Charge of The Costume Institute.

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Посмотреть видео о выставке About Time: Fashion and Duration

Although separated by time, Miuccia Prada and Elsa Schiaparelli-both Italian, both feminists-share striking affinities in terms of their design strategies and fashion manifestoes.

Presented as an intimate "conversation," Schiaparelli and Prada: Impossible Conversations aims to tease out formal and conceptual similarities between the two designers. Striking photographs and insightful texts illustrate the parallels between the two, including their preferences for interesting textiles and prints, eccentric color palettes, and a bold and playful approach to styling and accessories.

Schiaparelli, in the 1920s through 50s, and Prada, from the late 1980s to today, exploited the narrative possibilities of prints, sought out unconventional textiles, played with ideas of good and bad taste, and manipulated scale for surrealistic outcomes. Contemporary art plays a major role in the work of these inventive women-Schiaparelli in her famous collaborations with Dali and Cocteau, and Prada via her Fondazione Prada.

Blending the historic with the contemporary, the catalogue brings the masterworks of both designers together into a grand conversation between the most important women fashion designers to ever emerge from Italy.

Since its origins in the 1970s, punk has had an incendiary influence on fashion. With its eclectic mixing of stylistic references, punk effectively introduced the postmodern concept of bricolage not only into directional ready-to-wear but also into the elevated precincts of the haute couture. As a style, punk was about chaos, anarchy, and rebellion. Drawing upon a corpus of sexual and political imagery that was deliberately intended to shock, provoke, and confront, punks made fashion overtly hostile and threatening. This aesthetic of violence - even of cruelty - was intrinsic to the clothes themselves, which were often customized with rips, tears, and slashes and such savage and sadistic hardware as studs, spikes, chains, buckles, zippers, D-Rings, padlocks, safety pins, and razor blades.

"PUNK: Chaos to Couture" examines the impact of punk's aesthetic of brutality on high fashion, focusing especially on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture's made-to-measure exactitude. Indeed, punk's democracy stands in direct opposition to fashion's autocracy in which trends are driven by the artistic expression of the designer rather than by the dictates of the wearer. Yet as this book reveals, even the haute couture has readily appropriated the visual and symbolic language of punk, replacing beads with studs, paillettes with safety pins, and feathers with razor blades in its attempt to capture and reflect the style's youthful rebelliousness and aggressive forcefulness.

Focusing on high fashion's embrace of punk's aesthetic vocabulary, this extraordinarily designed and produced book reveals how the quintessential anti-establishment style has been co-opted, exploited, and transformed by designers in their search for new ideals of beauty and new definitions of fashionability.

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